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Meet Waheeda Rehman In Her New Avatar: A Wildlife Photographer

In her eighties, ­Waheeda ­Rehman is excelling at ­another art: wildlife photography

In the old days when the world was black and white, a photograph used to go through a journey. First there was the 바카라negative바카라바카라an image trapped in reverse luminosity, where the unlit portions looked the lightest and vice versa. Then the light and dark were made to swap places. It바카라s a wonder when you see a similar graph plotted in people, especially those who waltzed across the luminous history of cinema. And who more luminous than Waheeda Rehman?

Yes, the one who shone like a lamp in the best backlit shots of Hindi cinema has now become one who captures light and movement from the other side of the camera. A wildlife photographer, no less. And the ochre-green images are a wonder to behold, even if she is gracefully modest. 바카라There is nothing out of the world about my photography,바카라 she tells Outlook바카라s Lachmi Deb Roy. 바카라Bahut ­purani baat hai바카라I had this burning ­interest in wildlife photography for a long time. When I see my guruji, Himan­shuu Chandrakant Sheth바카라s photography, I realise I have a long way to go. But what I like most is to capture the moment.바카라

Canopy Calling

A giraffe in Maasai Mara (2017)

Photograph: Waheeda Rehman. Curated by Himanshuu Chandrakant Sheth

Beastly Beauty

A wildebeest in Ndutu, Tanzania (March 2019)

Photograph: Waheeda Rehman. Curated by Himanshuu Chandrakant Sheth

That she had plenty occasion to do. 바카라I바카라d go on once-a-year safaris with a group of people interested in photography. Himanshuu teaches and takes us on brilliant wildlife trips.바카라 Thus came about that wildebeest flying across a hazy Serengeti in an impressionistic blur, ­almost recalling a Lascaux cave painting. Another fruit of those encounters with places, moments and lens-eyes: the exhibition Meraki, also curated by Himanshuu. 바카라Meraki is a Greek word that signifies leaving a piece of yourself in your work,바카라 says Waheeda, who still calls her tryst with photography a hobby. 바카라A real expensive hobby,바카라 she says, laughing. Within India too, wildlife zones beckoned바카라Bandipur, Ranthambore, Mowgli바카라s jungles.

Twinning

Cheetahs in Ndutu, Tanzania (March 2019)

Photograph: Waheeda Rehman. Curated by Himanshuu Chandrakant Sheth

All that at age 81. 바카라In India, people have a habit of attaching an age-tag. 바카라Why does she need to do all these things at this age?바카라 they바카라ll ask. That mentality needs to change. If you have passion and an open mind, you can learn anything you want to do. There should be no age bar for passions!바카라 And as one grows old, it바카라s all the more important 바카라to have a pastime바카라, she says. 바카라Do it with love. It need not be expensive. My sister, who is 87, is fond of embroidery.바카라 But yes, Waheeda Rehman is 바카라lucky to be blessed with good health바카라. Touch wood. 바카라I practise yoga regularly at home and that keeps me fit바카라wildlife photography requires travelling and walking long distances.바카라

Sand dunes in Namibia (2016)

Photograph: Waheeda Rehman. Curated by Himanshuu Chandrakant Sheth

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More than that, she바카라s blessed with a seeing eye. That old ethereal image we all have of her, that was not a 바카라negative바카라, of course. But her journey too entailed a reversal바카라from being seen to seeing. 바카라A woman is always accompanied, except when quite alone, and perhaps even then, by her own image of herself,바카라 art critic John Berger once wrote. That didn바카라t mean pure self-reflection. That little halo, that thought balloon, was more in the nature of a mirror in which the woman constantly beheld herself바카라as others would see her. 바카라She existed to be looked at,바카라 in his words. It couldn바카라t have been truer than for one seen as the paragon of beauty바카라and hence, the marvel of her journey to the other side.

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