As the show slowly grows, its central appeal knocks hard. At a later point, Dorrigo himself spells it out: 바카라Our memory is the only true justice, our only defence against repeating the misery of history바카라. As he publishes one of the dead prisoners바카라 sketches from war, memories are embossed for everyone to witness. Remembrance becomes the most political resistance. If invoked rigorously, it can stem possibilities of our future being even bleaker than past carnage. Though Hinds is formidable, the present-day scenes occasionally teeter to being too sedate. A contemplative, doleful mould, when stretched over five episodes, can be an overkill. Jed Kurzel바카라s stringing score, hewing several time-frames, gradually comes across as too elaborately designed to evoke maximum melancholy. Harping on the same notes dilutes impact; the show suffers on this count. Neither does the track of Dorrigo바카라s affair with his colleague바카라s wife deepen what we already know of his ringing loneliness. It registers only as a distraction from the sheer, grim power in the forest-set scenes. Cinematographer Sam Chiplin captures the forest of Dorrigo바카라s memory as a chilling zone where survival can be cut off any moment. To live on is to rely on the whims of Japanese major Nakamura (Sho Kasamatsu) and his seniors.