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바카라Unethical, But Lawful바카라: The ANI Vs YouTubers Dispute In A Nutshell

The Mohak Mangal vs ANI legal dispute could set the precedent for fair dealing amongst content creators in India, if it reaches its intended conclusion.

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In May 2025,  YouTuber Mohak Mangal opened a can of worms when he put out a video claiming to be 바카라extorted바카라 by news agency Asian News International (ANI). In the 11-minute video, Mangal spoke about being held at a metaphorical gun-point by the news agency, who had applied two strikes against the YouTuber. After a third strike, YouTube would take down Mangal바카라s channel. When a representative of Mangal바카라s team reached out to ANI to clarify this, they allegedly demanded Rs 50 lakhs from them  to cancel the strikes. In the phone recordings put forth in Mangal바카라s video, ANI바카라s representative claims that the money is towards a subscription and penalties that YouTubers (like Mangal) need to pay for using unauthorised content in their for-profit concerns.

After Mangal바카라s video came forward and spread like wildfire, shared by the likes of Kunal Kamra and Mohammed Zubair (the video has almost 6 million views on YouTube alone)---many more creators came forward with their accounts of being arm-twisted by the news agency for sums between Rs 15-25 lakhs. Some of these creators had only used stills from ANI videos, as found by the Reporters바카라 Collective, and had to cough up Rs 18 lakhs for 바카라infringement바카라.

Given the 55-year-old agency바카라s near-monopolistic access to politicians and the government, many people sided with the YouTube creators calling this a case of bullying---especially because of how the conversation begins, with the looming threat of a channel being deleted, and money being demanded against it. If ANI was concerned about the unlawful exploitation of their Intellectual Property (IP), why didn바카라t they first reach out to creators to simply remove their IP or the video altogether? Why was monetising the YouTuber바카라s transgression prioritised?

After Mangal바카라s video was widely shared, ANI filed a suit for defamation and disparagement against him and some people who shared his video (like Kamra and Zubair) at the Delhi High Court. As a result, the court directed Mangal to remove certain references to ANI, which the defendant has since complied with. Meanwhile, ANI has also filed a second suit against Mangal, alleging illegal and unauthorised reproduction of 10 videos on his channel. It also alleges the unauthorised use of ANI바카라s logo on the YouTube channel.

According to Mumbai-based advocate Hiren Kamod, the concept of 바카라fair use바카라often cited by YouTubers to reproduce IP in their work바카라is not something we find in Indian statutes. It바카라s a concept found in the US copyright laws. In fact, the Copyright law, 1957 (the main statute to decide most IP-related cases in India) includes a concept called fair dealing. The difference is crucial and fundamental, as Kamod explains it.

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The US laws list the following four parameters for what qualifies as 바카라fair use바카라: what is the purpose or character? What is the nature of the work? What is the amount of copyright work used? And, what effect does it have on the potential market? On the other hand, fair dealing is listed under section 52 of the Copyright Act, 1957, where it identifies three specific instances which can be deemed exceptions to copyright infringement: Private or personal use, criticism or review바카라whether of that work, or something related바카라and for reporting current affairs and events.

바카라What becomes crucial is the context in which the ANI clips were used in a YouTuber바카라s video,바카라 notes Kamod. 바카라If I바카라m making a video which is not to report on current affairs, but for educational purposes, then it won바카라t remain an exception u/s 52(1)(iii).바카라  He adds that it doesn바카라t matter if the video is monetised or not바카라if the instance of a video is not covered among the exceptions under the Copyright Act, it amounts to infringement.

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Anumita Verma, who specialises in IPR and practises in Delhi HC, explains the de minimis principle, where if the IP component amounts to a fraction of the total video바카라like maybe seven seconds of a clip in a 30-minute video바카라then the courts might not take cognisance of it at all. In Mangal바카라s case, the ANI clips he mentions using are seven seconds and eleven seconds, in videos with durations of 18 minutes and 38 minutes respectively. "Generally when de minimis is applied by the Hon바카라ble courts in specific cases then a possibility of not entertaining at all comes in the picture. In the instant case , there are other reliefs sought like trademark disparagement and infringement, which give it바카라s different connotation."

However, Kamod notes that there are exceptions to the de minimis principle--where courts don바카라t simply look at the amount of work, but also its qualitative attribute. 바카라For example, Sweet Child O바카라 Mine (by Guns 바카라N Roses) is a nine-minute song, but that guitar intro is so distinct that if I play the first 10 seconds, it will qualify as infringement,바카라 he says. 바카라It바카라s not a quantity thing anymore, because you바카라re taking the hook of the composition.바카라 He also reminds us of the Ram Sampath vs Rakesh Roshan case around Krazzy 4 (2008), where a song in the film was plagiarised from Sampath바카라s jingle for Sony Ericsson. It was a seven-second hook, for which Sampath was awarded Rs 2 crore in the ruling.

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It바카라s a subjective thing, says Kamod바카라the dispute between ANI and the YouTubers will depend on how one interprets the individual facts of the case. For example, can YouTubers바카라who curate and collate information from existing news sources to make explainers on current topics바카라be deemed as 바카라reporting바카라 on an issue? 바카라It would require the court to take a liberal stance, 바카라 where they바카라re willing to expand the meaning of reporting beyond the traditional sense, also including curating a well-rounded news package from across multiple sources,바카라 Kamod states. 

Verma opines that YouTubers can바카라t be bracketed as those 바카라reporting바카라 on a matter and therefore can바카라t be included in the exceptional instances under section 52(1)(iii). 바카라A simple collation is not your work바카라if it바카라s assimilating the works of others, then it might be crucial to note the usage. If it바카라s like 10-11 seconds in a 20-minute video, then the courts might deem it de minimis. But if it creates a huge prejudice towards my trademark, then I might take steps,바카라 says Verma.

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What do lawyers think of the lump sum amounts being demanded by ANI from YouTubers?  Doesn바카라t it sound slightly murky, if nothing else? 바카라The copyright laws allow the IP owner to claim revenues and/or damages. It바카라s a remedy given in the Act,바카라 notes Verma. 바카라One can either seek a share of the revenue or claim damages. You either buy the said license or pay the damages.바카라

Verma highlights that an aggrieved IP owner can demand anything as damages바카라it doesn바카라t have to be 바카라reasonable바카라. 바카라One can ask under a wide variety of things: mental agony, sullied reputation, legal fees etc,바카라 confirms Verma, 바카라But the court looks into profits, how much revenue one has made from said work, and accordingly they will calculate the actual damage. There바카라s a formula.바카라

Kamod admits there being a power differential between an agency of ANI바카라s stature and individual YouTubers. Therefore, the financial demands raise a moral judgement. 바카라ANI knows they바카라re able to demand whatever they want바카라what might cost Rs 10. they바카라re demanding Rs 100 for it,바카라 says Kamod. 바카라They shouldn바카라t be doing it. But under the law, if the creators aren바카라t excluded under Section 52, then ANI has the right to do business the way it sees fit. If a creator uses their licensed work, then they바카라re within their rights to demand Rs five lakhs, Rs 50 lakhs or Rs five crore.바카라

A lot depends on how the courts rule ANI바카라s second suit against Mohak Mangal on copyright infringement. 바카라According to me, only one YouTuber, who is sure that their content falls under section 52(1)(iii) 바카라if they go to the court, and take on ANI, then they could set a precedent,바카라 says Kamod. 바카라It바카라s ethically wrong of course, but is it unlawful? I don바카라t think so. It바카라s a free market바카라Aamir Khan바카라s latest film바카라s satellite rights have sold for Rs 200 crore. Tomorrow TV channels will claim extortion. Where does it end?바카라

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