Advertisement
X

Chamar Studio: When A Word Of Abuse Becomes Pride Of The Dalit Community

Sudheer Rajbhar's radical concept of establishing Chamar Studio, a designer boutique, is unique. The Dalit community's ability as craftsmen is coming to the fore

Sudheer Rajbhar바카라s beige tote bags are as fancy as they come. However, what sets his apart from the scores of totes you see in a SoBo gallery or Hauz Khas Village boutique is the word chamar inscribed on them in a dozen languages. Chamars are a community outside the pale of the Hindu caste system, who tradition­ally worked in the leather and tanning industries. It has been used as a word of abuse, a practice the Supreme Court deems offensive and punishable. But Sudheer바카라s reference to the term is far from pejorative; in fact, he wants to reclaim it as an epithet of pride바카라a symbol of the skill and artistry of the community.

Sudheer is the founder of Chamar Studio, a designer boutique which melds business with sustainability and Dalit pride. Born and brought up in the slums of Mumbai, Sudheer studied art in the city, but has no formal training in design. The studio바카라s artisans give a new lease of life to discar­ded rubber and other waste by recycling these as bags, belts, shoes and jackets. At its 80-sqft workshop, located on the first floor of a shabby building in Vakola, some designers are picking up new techniques, while others are deftly shaping scraps of tyres, cottons and latex into buckles, straps and pockets.

Waste To Wealth

Products of Chamar Studio

Photograph By Apoorva Salkade

바카라The longstanding tradition of working with leather came to a standstill due to the beef ban in 2015, making it difficult for community members to procure and use the animal skins on which their livelihood depended,바카라 says Sudheer. This prompted him to make the most of the skills and experience of the craftsmen, albeit with alternative raw materials. 바카라We have been ostracised for ages, so I aimed to bring together members of the Chamar community and form a studio that would celebrate our art,바카라 he says.

Regarding his decision to recycle urban and industrial detritus using the experimental innovation of artisans, he says, 바카라Recycled material is an essential anchor of this project. We do not use it just for ecological benefit바카라­rather, it follows a tradition where scarcity has given rise to innovation and conceptual ­reassessment of design and objects. Instead of depending on the neo-­liberal greed for objects, production from waste limits the quantity produced, but not the quality.바카라

Haute Fashion

Sachin Bhimsakhare (left) with Sudheer Rajbhar

Photo by Apoorva Salkade/Outlook

Sudheer wants to reintegrate conceptual thinking into what is described as folk art, industrial art or handicrafts. The project regards artisans as artists and does not slot them under the nomenclatures of folk or industrial art. Rather, it allows the artist complete conceptual and formal freedom in experimentation and production.

Decolonising the crafts and status of artisans in our society is essential for the emergence of a subaltern aesthetic. Sudheer pursues an aesthetic devoid of the burden of formal art education or the influences of globally popular elitist product design. The project unleashes a counter-current of creativity drawn from the act of working with one바카라s hands and traditional wisdom passed down through generations. It seeks to challenge the disservice handicraft promotion boards have done to traditional arts by replicating set formats and streamlining traditions of production and visual thought arbitrarily across India.

Advertisement
Happy Feet

A factory owned and run by Dalits in Gurgaon

Photograph By Suresh K Pandey

Sudheer aims to make Chamar Studio a luxury brand. 바카라The circulation of these products among people of different castes and classes not only supports the community but also gives them visibility,바카라 he declares. 바카라It is a first step to promote conversations on an issue that is seldom addressed in India as well as abroad.바카라

Sachin Bhimsakhare, a Chamar designer from Mumbai, began collaborating with the studio four years ago, when he did a show with Sudheer at the Kala Ghoda Festival in Mumbai. In the morning, he works as a sweeper supervisor with the ­Brihanmumbai Municipal Corporation (BMC). After lunch, he pursues his passion for making bags. 바카라The municipality demolished my shop. I had to rebuild it all over again,바카라 he says. 바카라We mainly use rubber. I first have to melt it and turn it into a powder before I start making bags. We try to ensure unique and affordable products바카라the price ranges from Rs 700 to Rs 9,000.바카라

Advertisement

Sunil Netke, a Dalit craftsman who has a 250-sqft workshop in Dharavi, ­became associated with the studio two years ago. The 64-year-old makes lea­ther bags. 바카라I learnt the art of making bags and belts from my ­father, Shahdev Netke. He has been in the business for the past 40 years바카라he shifted to Dharavi in 1974, when he was hardly 10-12 years old,바카라 says Netke.

Chandra Bhan Prasad

Photograph By Suresh K Pandey

바카라I approach diverse artisans, whether a cobbler on a pavement or a shoeshiner on a railway platform, for my Blue Collar Project,바카라 says Sudheer. 바카라Blue is symbolic of the movement started by Ambedkar. It is the colour of hope, change and social justice. Through this project, we would like to form a union of workers belonging to the Dalit community.바카라

바카라With this project, anybody from the community can set up shops anywhere,바카라 says Sachin. 바카라The idea of the project is nomadic. One can work from their homes, small shops or the railway station. Sometimes, we also meet and work together.바카라

Advertisement

Before founding Chamar Studio, Sudheer painted 바카라chamar바카라 in bold letters on cotton bags. 바카라When I used to carry this bag, people used to come to me to ask the meaning of it,바카라 says Rajbhar. 바카라People from the Chamar community bought the bag because they were proud of their identity.바카라 He is now working on a project bringing together India바카라s foremost fashion designers바카라­Sabyasachi, Rahul Mishra, Abu Jani Sandeep Khosla and Gaurav Gupta among others바카라with craftspersons from the Chamar guild to produce a capsule collection for his Chamar Foundation.

Another such entrepreneur is Chandra Bhan Prasad Prasad who runs bydalits.com, an e-commerce portal retailing products manufactured by Dalits. It stocks apparel for men and women as well as accessories such as belts, wallets and bags. 바카라Buy and sell Dalit products, promote Dalit brands, create Dalit wealth, destroy the caste hegemony,바카라 declares the website. Chandra Bhan touts it as a 바카라Dalit brand and wealth building movement바카라.

Advertisement

At his house in east Delhi, there is a portrait of Ambedkar in his living room presiding over cartons, from which he carefully takes out cowboy hats, leather jackets, boots, sandals, denims and shirts. 바카라Some 30 lakh Dalit officers in the government earn about $50 billion annually. The idea is to circulate as much money as possible within the community. Dalit manufacturers are being motivated to build their brands and people from the community are expected to buy Dalit-made products. The website is a bridge between Dalit manufacturers and buyers.바카라

The portal also serves as an antidote to caste prohibitions against Dalits sporting new clothes. Even today, a well-dressed Dalit can be cause for consternation바카라in August this year, the district magistrate of Ballia바카라s comments on the 바카라expensive clothes바카라 of a Dalit politician caused a huge furore.  바카라Society cheers Dalits who are ill-dressed, fears Dalits who are well-dressed,바카라 says Chandra Bhan. 바카라Since caste Hindu society has been re-dressing itself after 2014, it is time that Dalits played mind games and demoralised caste Hindus.바카라

Show comments
KR