Art & Entertainment

바카라˜The Archies바카라™, 바카라˜Class바카라™ And 바카라˜Elite바카라™: Decoding The Overly Opulent Aesthetic Of Netflix India Shows

In 바카라˜Archies바카라™, the opulent aesthetic has an identity of its own. It is the only character that's doing its job in a star cast that is barely able to justify its presence on screen.

A Still From 바카라˜The Archies바카라™
info_icon

With a 2-hour 23-minute runtime, -directorial 바카라˜바카라™ has lavish set pieces. Think bronze gramophones, chic ice cream parlours, and cafés straight out of a glossy magazine. The fictional Green Park looks less like a rustic park one would associate with the Anglo-Indian community in the 1960s and more like a farmhouse in Vasant Kunj left by a rich baron as generational wealth for his South Delhi brat.

Jarringly Lavish, Painfully Unrealistic

In the fictional town of Riverdale, there are no houses but mansions, grass trimmed to perfection and strawberry milkshakes so fancy that if they바카라™d make it to a Gianis ad, it would probably be termed false advertising. The grandeur and lavishness of the set pieces stand in stark contrast to the lacklustre acting performances which don't seem to do justice to the extravagant sets that are meant to compliment the actors바카라™ presence rather than the other way around.

In 바카라˜Archies바카라™, the opulent aesthetic has an identity of its own. It is the only character that's doing its job in a star cast that is barely able to justify its presence on screen. Compare this to 바카라˜바카라™, another show from set in the hinterlands of Punjab in the eerie backdrop of deserted farmlands in the state. The murky visual imagery coupled with a dense fog which engulfs the cityscape, accentuates the murder mystery at hand, making the show far more compelling than it is.

Are Opulent Aesthetics The Problem?

Ashim Ahluwalia바카라™s 바카라˜Class바카라™ is another Netflix India release which got flak this year for its aesthetic. Much like 바카라˜Archies바카라™, 바카라˜Class바카라™ has an over-the-top, unnecessarily lavish sets but it isn't as jarring because the plot is meant to show rich, spoilt brats who are thankless and painfully unaware of their privilege. Therefore, a school the size of Ambience Mall with interiors as posh as Harvard University isn바카라™t particularly off-putting when you realize the intent is to contrast the privileged kids with the lesser-privileged ones, dwelling in nearby slums of East Delhi.

Zoya Akhtar and Reema Kagti바카라™s 바카라˜Made In Heaven바카라™ season 2 is yet another release this year which had grand wedding sets and expensive costumes by some of the most reputed couturiers. The grotesque display of wealth in 바카라˜Made In Heaven바카라™ only underscores the satire on rich people that is the signature mark of the show. It isn바카라™t meant to celebrate the rich but to highlight the grim irony at the end of each episode.

Vikramaditya Motwane바카라™s 바카라˜Jubilee바카라™ on also had opulent aesthetics which brought to life the magical world of Roy Talkies but its opulence was still rooted in reality where it showed a Jay Khanna making his way to the top from the post-Partition refugee camps. So clearly, opulent aesthetics work well as long as they serve a purpose.

Opulence For Opulence바카라™s Sake

In the case of 바카라˜Archies바카라™, it seems like not just the sets but even the plot was written to accommodate an urban-looking cast, mainly rich Bandra boys and girls, rather than the other way around. An overreliance on posh aesthetics and forcefully integrating an Anglo-Indian community in 1960s India is the least of 바카라˜바카라™ problems. The show seems to lack self-awareness on a molecular level.

The mismatch is not just in the way we hear Godrej and Lux ads in the same frame where foreign-sounding names like Riverdale, Jughead and Mr Lodger are used. The film in its entirety seems to have its basics confused, the same way the costume department of the 2000s film 바카라˜Mohabbatein바카라™ wasn't sure of the weather of the place it was set, with a few cast members wearing sweaters and others sporting sleeveless tops.

Misrepresentation Of Anglo-Indian Community

In an inherently visual medium like cinema, set design바카라™s role is of paramount importance. It gives voice to the voiceless and draws attention to what is left unsaid. Strangely, in 바카라˜Archies바카라™, even the extras are white-skinned. The justification, of course, lies in the fact that the show is based on the Anglo-Indian community residing in North India in the 1960s.

The existence of the Anglo-Indian community post-independence is documented via the census. Lesser known fact: the members of the community even had reservations in the Parliament. Some members of the Anglo-Indian community include Goan Portuguese, and Malayali Tamils, while some of them live in East India. One can바카라™t help but wonder why there are no dark-skinned Indians in Riverdale. Even for a fictional town full of Anglo-Indians, how is Riverdale isolated from mainland India?

Is 바카라˜Archies바카라™ a film based on the Anglo-Indian community or a film with actors who cannot speak fluent Hindi, being forced to masquerade as a film on the Anglo-Indian community to cover up the obvious flaws in the star cast?

More importantly 바카라” at what point does representation become misrepresentation and appropriation? That바카라™s food for thought.

바카라˜The Archies바카라™ is now streaming on .

×