The novel sets the tone in the dedication page, 바카라For all ghuspetiyas everyÂwhere바카라Š바카라 reflecting on one of the major narratives in contemporary India. The book traverses different topographies and the lines interconnecting them become clear at the end. The opening chapter, 바카라City of Brume바카라, speÂaks of endless waiting in Delhi바카라queuing up before ATMs during the days of demoÂnetisation; stories of brutal violence against women and minorities; Bibi, the chief protagonist, dreaming of strangers, seeking love; walking through endless corridors. She is disillusioned by her work as a journalist at Amidala. She wonders whether when she is gone from Amidala, 바카라will they miss something fundamental about her.바카라
A man breaks into Vimana Energy Enterprises, one of Amidala바카라s important clients. Some witnesses mention that they saw a 바카라바카라monkey바카라바카라 leaping from ledge to ledge and then disappear. In the ensuing melee, a USB stick was left behind which contained articles written by Bibi much before she had joined Amidala. It revolved around detention centres and the Union Carbide story. Naturally, Bibi바카라s present employers think her 바카라바카라past바카라바카라 is too threatening. One of her colleagues, Sanjit, whose write-ups are also part of the USB, has gone underground. Bibi has to find him. Her job gets more muddled with the arrival of mysterious texts and messages.
A hitman is the chief player in the second section, 바카라Claustropolis: 1984바카라. He works for the factory owner who wants to eliminate an operator who might expose the misdeeds which led to the worst industrial disaster in human history. Like Bibi, the hitman also wonders if the chemical leak has affected his senses as he too is experiencing bizarre phenomena. The Brahmastra being deveÂloped by Ombani Laboratory blends fiction and reality. The action moves on to Calcutta in the third section titled 바카라Paranoir: 1947바카라 and the ensuing violence during the time of independence. Here, the chief actor is Das, a veterinary student who is under the illusion that he has been handpicked to do some special tasks. He dreams of driving a special vimana 바카라바카라that will ferry people from one world to another.바카라바카라
The cityscape is peppered with savage Freud clinics, an allegory on nation-building and skeletal figures바카라the victims of the devastating Bengal famine. The agony of the populace is poignantly captured. 바카라The word starvation was now censored and could no longer be printed in newspapers바카라 바카라바카라Šthe earth itself having transformed into a gaping mouth and an empty stomach.바카라 A British regiment chasing a mutineer, Magadh Rai, into the Himalayas is the focus of the last section, 바카라The Line of Faith: 1859바카라. The setting is the Sepoy Mutiny of 1857. Sykes is confronted by a mysterious White Mughal who lives in a crumbling palace called 바카라White Castle바카라 where again, strange phenomena occur and threaten the sanity of the regiment.
The plot seems disparate but there is a strange continuity in the story line aided by similar names and tropes. In the epilogue which shares the title of the book, Bibi, searching for her comrade바카라Sanjit바카라ends up in the Andaman Islands which were once a penal colony for the British. Bibi struggles to make sense of myriad clues. She realises that 바카라the truth is sometimes everywhere바카라ŠIt is in the stories you choose to read, the places you are drawn to.바카라 Social and political disasters are visualised through novel characters바카라the 1984 riots in Delhi and the Bhopal disaster through the hitman바카라and the topography is aptly named 바카라Claustropolis바카라.
It is difficult to categorise this book. Is it a thriller, political fiction or a book on contemporary history? The author poses a satirical question, 바카라Who asked me what I was smoking when I wrote this?바카라, presumably to his editor. The book is dedicated to ghuspetiyas (infiltrators) against whom the state wants to take punitive action and detention camps are being set up. Is that why in the final section, the action shifts to the Andamans, the most notorious detention centre in our history?
Muscular nationalism finds an apt metaphor in Bibi바카라s description of the fog in Delhi, 바카라A paintbrush, erasing the marks of an old, much-used canvas바카라Šthe malice of the glossy-haired anchor, the banal evil of the masklike prime minister, erasing the ruins from the 20th century, the ruins from the 16th century, the ruins from the 11th century and the ruins from the third century B.C.E., erasing a countryside already erased and erasing a nation that has failed by every measure.바카라 The sentence contains several ideas within its folds. The fog conceals the landscape and also the nation바카라s memory. 바카라바카라Banal evil바카라바카라 seems to reflect Hannah Arendt바카라s classic, Eichmann in Jerusalem: The Banality of Evil, the consequence of non-thinking which leads to genocidal crimes. The idea of the 바카라바카라monkey man바카라바카라 is also an interesting plot device. It borrows from Aditya Nigam바카라s essay  바카라Theatre of the Urban: The Strange Case of the Monkeyman바카라. Deb says, 바카라a sociologist at JNU suggested that the New Delhi Monkey Man was a case of the return of the repressed, an eruption of the uncanny, an embodiment of all those marginalised people...feared by urban, upwardly mobile India.바카라
However, some phrases like 바카라바카라step by stepstep바카라바카라 seem like a deliberate ploy to garner attention. A certain condescending tone is evident when speaking of characÂters like Moi who wishes to marry a rich man from the West.
In the web of intrigue and conspiracy theories, one can glimpse a majoritarian nation taking shape and citizens being rendered clueless as to how to negotiate this new 바카라바카라normal.바카라바카라
(This appeared in the print as 'Multiple Realities')
Shailaja Menon teaches History at the School of Liberal Studies, Ambedkar University, Delhi
