Haniya Aslam바카라�s Quiet Revolution

Given that Bangash was the primary vocalist in the act, the spotlight always shone brightly on her. But it was Aslam바카라�s overall music and songwriting sense that distinguished them from their contemporaries. Cousins in real life, Bangash and Aslam were always in the proximity of music, growing up listening to the likes of Mehdi Hasan and Abida Parveen in drawing room mehfils (because of the 65% tax levied on live concerts by the Zia Ul-Haq regime in the 70s and 80s). Going to college in the United States, they found themselves in a basement during a winter break, composing their first song. The song turned out to be Chup! 바카라� the title track for their landmark 2008 album. Those were still early days of the Internet, and Aslam, utilising her computer science degree, made a website for them, uploading their compositions on it. The songs travelled from South Asian households in the United States to university campuses, Pakistani radio, and, eventually, Coke Studio.   

Which is where their popularity exploded. Paying homage to their Pashtun roots, the duo sang the Afghan folk song Bibi Sanam Janem in the third season in 2010 바카라� which was among the earliest 바카라�viral바카라� videos from the initial seasons. But it was in a performance for the second season, Paimona Bitte, where Moitra and Kirkire heard them for the first time. 바카라�It was the singing that caught my attention first,바카라� recounts Moitra, 바카라�but I also noticed a girl wearing round glasses, sitting in the background, playing the guitar. The video didn바카라�t say who was who, and it appeared that the singer was the captain of the ship. But I instinctively knew this girl sitting in the back was at the heart of the music I was listening to.바카라� 

Moitra, Kirkire, Bangash and Aslam met on The Dewarists in 2011 바카라� a TV show that brought two distinct sets of musicians together to compose an original song. The producers (OML) flew the Pakistani duo down to Mumbai a week before the shoot, and the four artists simply spent time together. In Moitra바카라�s words, 바카라� 바카라�we ate, moved around the city and chilled.바카라� Bangash and Aslam were fans of Bawra Mann 바카라� a song that was hugely popular in Pakistan. Moitra noted how Paimona Bitte and Bawra Mann were both seven-matra (beat) songs, and therefore their collaboration should also adhere to the same beat pattern. And that바카라�s how Kya Khayaal Hai was born. Starting with a few lines from a Dari poem (immortalised by Mehdi Hasan through a ghazal in the 1970s), the song is a simple, sweet, clean pre-conversation (written by Kirkire and Aslam) between two nations, asking each other바카라�s thoughts on coexisting happily and peacefully. It바카라�s something that is obviously from another era, when such initiatives even seemed possible.

The four musicians promised each other that this first song would spark a full-fledged album. Exactly a year after Kya Khayaal Hai, they decided to start work on it, for which Bangash and Aslam visited Mumbai again for a full month. They went to Moitra바카라�s farmhouse in Pune, where he witnessed Haniya Aslam in all her glory. 바카라�She was constantly either reading, creating. Very tech-friendly. She was always curious about the new kinds of sound that could be synthesised using technology.바카라� Aslam taught Moitra and Kirkire what 바카라�hotspot바카라� was, in 2013.  

Not just quiet and shy, Moitra remembers Aslam as someone allergic to the spotlight. 바카라�Usually, people who break norms are very front-and-centre. What was rare in Haniya바카라�s case was that she would go unnoticed in most rooms, until she started speaking up in her own quiet way, which would invariably challenge the status-quo.바카라� Chup! (2008) illustrates everything Moitra says. The entire album unfolds from the point-of-view of a strong, assertive, and vulnerable female voice. It바카라�s a great subversion of the pop space that has been populated by songs written from the mopey, male perspective.  

All songs (except one) are written and composed by Aslam, and the longer you listen to it the more you can feel her musical imprint on them. The way it effortlessly switches genres between Hindustani classical, folk, R&B and 60s rock and roll, sometimes within the space of the same song. 바카라�She was edgy, her writing was risqué,바카라� says Moitra. 바카라�Haniya was a master of integrating influences from around the world. She played this riff behind the chorus of Kya Khayaal Hai, which was so unusual and distinct. She would push the production in another zone.바카라�  

The album by Moitra, Kirkire, Bangash and Aslam didn바카라�t materialise, even though they did produce about six-seven songs for it. 바카라�The album eventually didn바카라�t release because of the geopolitical tension between the two nations,바카라� says Moitra, ''It바카라�s not just about the release of an album, but that precise moment when a song is created. That lives on바카라�바카라�  

Over the years, the group didn바카라�t lose touch. Kirkire mentions he was texting with Aslam only the week before she passed. On his Instagram, he바카라�s shared the last few messages he exchanged with her, where Aslam is being her lyrical self 바카라� describing her hopes for how life goes on 바카라� 바카라�timtimati rahe, bhinbhinati rahe바카라� (it continues to glimmer, it keeps buzzing). Moitra says their Whatsapp group is now silent, where Aslam once sent pieces to her 바카라�sarhad paar바카라� collaborators. 바카라�She knew about my passion for climbing. (She was) very well-read (and) very well-informed,바카라� recounts Moitra. 바카라�We would talk to each other often, as friends, not musicians. She would always ask about how a composer thinks.바카라� Always at the receiving end of questions from Aslam, it is slowly dawning on Moitra that there will be no questions from her anymore. 

Aslam had moved to Canada in recent years, establishing her own studio, while learning music production and sound engineering. Moitra believes there was so much music inside the 46-year-old that she struggled to express it. 바카라�Like they say in Bangla du haathe aashirbaad kora hoyechhe oke (she was truly blessed).바카라� Putting her work out without wanting to deal with the fame was something that weighed heavily on Aslam. 바카라�She바카라�d chosen a difficult path, where she wanted to share her gift with the world while remaining anonymous. It바카라�s near impossible in today바카라�s times. If you share your magic with the world, you will be put on a pedestal. And Haniya was uncomfortable with that. This dichotomy is what probably defined Haniya Aslam.바카라� 

Kirkire reveals how there was almost this unspoken pact between the acts, how neither of them would perform Kya Khayaal Hai in their respective live concerts. They would only perform it live when all four of them would be on a stage together. As a parting note, Moitra says how unlike popular norm, Aslam would never like a song to end on a 바카라�Sa바카라�. She would be the happiest if a track sounded incomplete, almost like there바카라�s a possibility for the song to go on. In a way, Aslam바카라�s abrupt departure feels fitting. 바카라�I think Haniya바카라�s story will go on, where people will discover her work without her having to deal with the fame,바카라� reflects Moitra. 바카라�Just the way she wanted.바카라�