Singam On Song
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It is very difficult to find entertainment in Singam 2, for it is unashamedly racist towards the African community. It also advocates corporal punishment in school as a means of keeping students from crime in adulthood. Lines implying that sort of nonsense are mouthed in the film with utter conviction by Saravanan Sivakumar, better known as Surya. That Surya utters those lines certainly does not make them any less racist or regressive; but the star wattage of the actor, not to mention the sheer cartoonishness of the movie, might perhaps have marginally diminished the negative impact.

Surya, who turns 38 this month, is the son of Sivakumar, the nearly-man of Tamil cinema, who enjoyed some success in the 1970s as a leading man and then won acclaim playing older roles after being subsumed by the Rajnikanth-Kamalahaasan wave, setting those two in pole position like MGR and Siv­aji Ganesan in the preceding decades.

In 1997, Surya debuted with his contemporary Vijay, already five films old, in S.M. Vasanth바카라™s Nerukku Ner, produced by Mani Ratnam바카라™s Madras Talkies banner. The film played out like a rehash of Ratnam바카라™s Agni Natchathiram (1988) with Karthik and Prabhu바카라™s warring step-brothers replaced by warring co-brothers-in-law (the males in a brother-sister 바카라˜exchange바카라™ wedding). Vas­a­nth바카라™s Poovellam Kettuppar (1999) featured Nassar and Vijayakumar as an estranged music-composer duo whose children (Surya and Jyothika) strive to bring them tog­ether. Surya eventually married Jyothika in 2006.

Unlike Vijay바카라”the son of S.A. Chandrashekhar, a purveyor of pot-boilers who directed Surya in Periyanna (1999)바카라”who has stuck to the crowd-pleasing 바카라˜masses바카라™ trajectory, untouched by any need of acting skills, Surya, guided by his father, an award-winning actor, chose the Kamalahaasan path of alternating bet­ween roles for the 바카라˜masses바카라™ and for the 바카라˜classes바카라™. He was fortunate in that his arrival coincided with the flowering of fresh new directorial voices. Bala had revived actor Vikram바카라™s dormant career with Sethu, his directorial debut. Surya was next to benefit: in Nandha (2001), Surya바카라™s portrayal of a convict trying to reintegrate into society won him best actor at the Tamil Nadu state film awards. The next year, debutant Ameer Sultan cast Surya in Mounam Pesiyathe, a successful romcom. Some years on, Surya바카라™s brother Karthi debuted in Sultan바카라™s seminal Paruthiveeran (2007).

Another new directorial voice, Gau­tham Menon, had arrived with the hit Minnale (2001) and its flop Bollywood remake Rehnaa Hai Tere Dil Mein the same year. For his next, Kaakha Kaakha (2003), he cast Surya after being impressed by his performance in Nandha. Surya바카라™s lean-mean supercop in the film created the template for bigger, brasher versions. Surya and Menon would team up for the memorable Vaa­r­a­nam Aaayiram (2008) where the actor played fat­her and son. Surya바카라™s first double role, however, was in Sasi Shanker바카라™s Pera­zhagan, in which he played the twin roles of a hunchback and a college student. He won the Filmfare (South) best actor award. By then, awards were coming fast. He won the Filmfare best supporting actor for playing an ebullient conman in Bala바카라™s Pitamagan (2003); he also won critical acclaim for playing a student leader in Mani Ratnam바카라™s Aaytha Ezhuthu.

Though most of these films starring Surya were box-office successes, his public image was still on the 바카라˜class바카라™ rather than the 바카라˜mass바카라™ trajectory. What he didn바카라™t get was the wolf-whistling front-bench appeal. It changed with A.R. Murugadoss바카라™s Ghajini, in which Surya plays a violent man with short-term memory loss (the filmmakers say they were not inspired by Christopher Nolan바카라™s Memento). Though Kaakha Kaakha was a hit, it was still seen as a different, thinking man바카라™s film. Ghajini바카라™s blockbusting success firmly banished those thoughts. And thus began the next phase of Surya바카라™s character that continues to this day.  The director Hari, who had served up the action cop drama Saamy (2003), starring Vikram, joined hands with Surya for Aaru (2005), in which the actor plays a Fagin-like­바카라”only much younger and fitter바카라”leader of a gang of youth. It was the beginning of an enduring partnership. Pausing only to make the separated-at-birth action drama Vel (2006), the Hari-Surya team created Singam (2010). With the film바카라™s roaring, fiercely moustached cop Dor­aisingam, who is endowed with sup­er­human strength바카라”northerners, think only of the Devgan turn바카라”Surya바카라™s image joined the larger-than-life pantheon.

It hasn바카라™t always been great going for Surya since then, his reteaming with Murugadoss in the sci-fi film 7aum Arivu (2011) saw him dormant for long stretches of the film and inexplicably, Shruti Haasan, clearly unable to carry the narrative weight, was placed front and centre. The film just about turned a profit. His experiment playing conjoined twins in K.V. Anand바카라™s Maatrraan did not find much favour with the 바카라˜mass바카라™ audience but nevertheless made a small profit thanks to his loyal fan base.

This fan base has not thought fit to bestow Surya with an epithet. His contemporaries all have one: Vijay is Ilayathalapathy; Ajith Kumar is Thalai; and Vikram is Cheeyan. Surya is just Surya. Some fans call him Nadippin Nayakan, that manages to combine Sivaji바카라™s Nadigar Thi­lagam and one of Kamalahaasan바카라™s most famous roles, but it바카라™s a title not widely used. Perhaps the star is content without a 바카라˜mass바카라™ title. He바카라™s happy producing films and with his charity, which keeps him busy when he바카라™s not acting.

The 바카라˜mass바카라™ element is clearly back with Singam 2, a film with enough app­eal for the meanest of tastes and often specifically for them, and is loud enough to wake the dead, and clearly they have risen and made their way to the turnstiles, as the producers have reported a global opening weekend of Rs 50 crore. Singam 2 arrives at an interesting time for Tamil cinema. On the one hand, films like Murugadoss바카라™s Thuppakki, starring Vijay, with its gross of Rs 180 crore, proves that there is a market for action. On the other, the recent success of low-budget, high-concept films with no big stars, like Pizza, Naduvula Konjam Pakkatha Kaanom, Neram and Soodhu Kavvum shows that the Tamil audience is hungry for alternative content. Surya바카라”to a lesser extent Vikram바카라”is the best placed star to exploit both. Gautham Menon바카라™s Thuppariyum Anandan, a detective thriller set in the 1980s, is supposed to be Surya바카라™s next film. Perhaps that could be the one that will straddle the two worlds.

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Six Of The Best

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Nerruku Ner 1997
Director: S.M. Vasanth
Surya바카라™s debut. Plays one half of a warring duo. An innovative remake of Agni Natchathiram
  Poovellam Kettuppar 1999 
Director: S.M. Vasanth
Stars with Jyothika in this romantic comedy. Eventually, he wed the actress in 2006.

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Nandha 2001
Director: Bala
Portrays an ex-convict trying to make the best of his second chance at life. Won the TN best actor award.
  Kaakha Kaakha 2003 
Director: Gautham Menon
Template for the ruthless cop with a heart of gold that sparked many louder versions.

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Pithamagan 2003 
Director: Bala
Plays a laidback village conman, displaying his sense of comic timing. Won him rave reviews and a Filmfare award.
  Ghajini 2005
Director: Murugadoss
Big hit. Plays a man with a memory affliction trying to avenge the death of his lover. Won Filmfare award.

(The writer is the author of Rajini­kanth: The Definitive Biography.)

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