This year바카라s National Film Awards featured several shocking choices. But even among them, The Kashmir Files stood out for bagging the Nargis Dutt Award for the Best Feature Film on 바카라 National Integration. An Islamophobic rant winning such an honour is remarkable, but the idealistic award category sounds equally fascinating. It바카라s not always been a part of the National Awards, and it didn바카라t have the same name either.
Instituted in 1965, it was first called the Best Feature Film on National Unity and Emotional Integration바카라a phrase often used by Indian politicians then. 바카라I바카라d appeal to each one of us,바카라 Nehru said, addressing the public servants on July 10, 1961, 바카라to work continuously and deliberately for the promotion of national unity and emotional integration.바카라 He wanted to vanquish the evils of communalism and 바카라linguistic differences바카라바카라and, as his other speeches and writings indicate, also casteism and regionalism바카라to 바카라build the India of our dreams바카라. In the next month, he convened a conference on national integration바카라inviting all the chief ministers바카라and organised another conference, on a bigger scale, in September 1961, creating the National Integration Council (which, at least in theory, is still functional).
Vice President Sarvepalli Radhakrishnan echoed that ethos in his inaugural address for the second International Film Festival of India on October 27, 1961. 바카라Films are a great instrument of inter-cultural understanding. In our country, it can contribute to national integration.바카라 The early 바카라60s saw crucial changes that affected the landscape of Indian cinema. Implementing the suggestions of the 1951 Film Enquiry Report, the government created the Film Institute of India and the Film Finance Corporation (which became the FTII and NFDC in the 바카라70s). Besides, it had already instituted a National Film Award바카라then called the State Awards바카라in 1954.
Cinema had to move beyond entertaining the masses, as many leaders (including Nehru) often said, and contribute to national advancement바카라and integration. President Radhakrishnan emphasised that bond in his April 1963 speech, while distributing the State Awards for Films. 바카라I바카라m glad to notice that we바카라ve had men and women of all languages, of all communities, represented among the recipients of awards. This, by itself, should be taken as an instrument of national integration.바카라
On January 11, 1964, The Gazette of India, a public journal and an authorised legal document of the Indian government, published a resolution of the Ministry of Information and Broadcasting. 바카라With a view to encourage the production of feature films aimed at promoting national unity and emotional integration in the country, the government has instituted a cash prize of Rs 20,000.바카라 Three movies competed for the honour that year, with Manoj Kumar-starrer Shaheed, a biopic of Bhagat Singh, emerging as the winner.
Its initial recipients included such iconic figures as Khwaja Ahmad Abbas for Saat Hindustaani (1969), MS Sathyu for Garm Hawa (1973), and Kaifi Azmi for the Best Film Song on National Integration (an award that was discontinued later). Quite curiously, no film won during the Emergency. A year after Nargis Dutt바카라s death, in 1981, the government renamed the prize in her honour, calling it the Nargis Dutt Award for the Best Feature Film on National Integration. The name change seemed befitting for at least two reasons: Dutt was a renowned actress whose diverse roles signified the unifying purpose of cinema바카라she, after all, helmed Mother India (1957)바카라and her father, a Hindu, had converted to Islam to marry her mother, exemplifying inter-religious porosity.
This history sharpens the disconcerting edge accompanying The Kashmir Files바카라 victory and casts light on the astounding omissions from this year바카라s awards. Because the National Integration Prize once encompassed the broader meanings of countrywide cohesion, recognising movies not just promoting secular ideals but also combating the narrow-mindedness of caste, region, and language. Bhavni Bhavai, for example, won the award in 1980 for 바카라tracing the history of the social evil of untouchability through a popular folk drama바카라 and 바카라depicting the untouchables바카라 fights for their rights.바카라 But this year바카라s jury for fictional films바카라chaired by the director of Bhavni Bhavai, Ketan Mehta바카라found no merit in several stirring anti-caste dramas, such as Jai Bhim, Karnan, and Sarpatta Parambarai.
Maybe that happened because, in the India of 2023, the words 바카라national바카라 and 바카라integration바카라 carry very different meanings. Just look at The Kashmir Files바카라 box-office earnings: Rs 297.53 crore. Or The Kerala Story바카라s (a solid contender for the next year바카라s award): Rs 242.2 crore. These films바카라 uneasy relationship with facts tells us that a vast majority of the audiences no longer throng to theatres to find out social and political truths. The nation already knows; now the nation wants to confirm.
