The satirical magazine Private Eye has a standard response to celebrity obituaries. When someone famous like film director Bernardo Bertolucci, dies, the magazine publishes a first-person piece headlined 바카라The Bertolucci who knew me바카라, poking fun at writers who use the opportunity to write as much about themselves as about the person who died.
This book has been written in the same vein. Saadat Hasan Manto was a remarkable man. He was not particularly literate (he left Aligarh Muslim University without a degree, having failed in, of all subjects, Urdu) or even well read. He was a Kashmiri who was raised in Punjab and moved to Bombay in his early 20s and began writing film scripts. At this he was not particularly good. There are no films that one can name today which he wrote, for they made little impact. The other thing he wrote were short stories. At this he is magical.
One way to test his greatness is to examine his relevance. Of his contemporary writers, almost none is read today, including the biggest name of the time, Munshi Premchand. His work is not relevant to the India of 2018. Manto바카라s is. That is why his work is still performed on stage, why there are movies on him and why, to return to the work at hand, there are books about people who knew him.
Manto Saheb: Friends and Enemies and the Great Maverick is a series of essays, 15 in all, from people who were familiar with Manto. The best essays are four: the opening one by Manto himself, one by Ali Sardar Jafri (whom, in a Private Eye aside, I should mention that I knew), by Ismat Chughtai, who probably knew Manto best and one by his daughter Nuzhat, who probably knew him least, being only seven when Manto died.
Some of the other essays are not easy reading. The longest one, 70 pages, by Upendranath Ashk, is particularly tiresome. It has some interesting details about Manto, but it is made tedious by constant self-reference. It is not objective바카라nor, to be fair, is it meant to be, given its title: Manto, My Enemy바카라and not of particularly high quality.
The essay by Manto on himself is breezy and he probably wrote it in an hour or two. He writes in the first person but refers to 바카라Manto바카라 in the third person. Called Manto바카라s Twin, the essay is disarming because the writer takes himself so lightly. He writes: 바카라He is poorly educated, in the sense that he has never studied Marx; neither has he ever set eyes on any of Freud바카라s works; and he knows Hegel only by name.바카라 He adds: 바카라People should attain knowledge only through their experience.바카라 Readers of Manto will know that this quality of his, to observe and record what he sees around him, is the standout feature of his writing.
Ali Sardar Jafri바카라s piece is a takedown of Manto from the perspective of a highly literate and ideological writer. It is a brilliant polemic. Sample this: 바카라Manto could smash society to smithereens and scatter its remains far and wide. However, he could neither reconstruct it nor design a new costume to cover its nudity바카라. After 1940, he constructed his own yardstick for judging the success of his stories: the more controversy and uproar his stories generated, the more successful they were.바카라 And also: 바카라Manto, unlike Rajinder Singh Bedi, could not penetrate the hearts of his sad, dejected characters and provide evidence of the sincerity of the human heart.바카라 But Jafri also says this: 바카라From the perspective of art, Manto was unique and unparalleled. There was nobody like him. No other writer had the ability to create the impact that Manto could with the simplicity, dexterity and perspicacity of his language바카라he could flesh out a character in a couple of words.바카라
This is the best criticism of Manto I have ever read. Chughtai describes Manto as through a movie camera. She brings him and his movements to life: 바카라He concealed his troubles as if they were his failures바카라. Nuzhat Arshad (Manto바카라s daughter) in her two-page piece opens with this devastating paragraph: 바카라Abba passed away in 1955. I was just seven at the time. My elder sister was nine and the youngest was five. It is self-evident that we were not old enough to be either influenced by our father or remember much about him. None of us were fond of reading or writing바카라something that became a source of satisfaction to my mother. Our mother바카라s opinion was unambiguous: It is better for people not to write.바카라
