Around this time a decade ago, a marshy plot by a creek in coastal Kochi sensed the prospect of a heritage complex taking shape in the near future. That was in the mid-summer ahead of the 2008 monsoon when the construction of a Kerala Folklore Museum for over seven years then was gaining nearing completion so as to be open to public within a span of six months바카라all that by reassembling old structures from across the tropical region.
Thus, on the New Year Day of 2009, the compact three-storeyed building was inaugurated, gifting God바카라s Own Country with what its private entrepreneurs call 바카라is the only architectural museum in Kerala with the essence of the life and culture of the common man over the past 1,000 years바카라. Today, midway into its tenth year, the vintage-looking wood-rich repository has become a landmark for the tourists and natives of the southern Indian state.
Broadly, the gable-roof museum displays artefacts from across the country바카라s peninsula, but바카라as the name suggests바카라the focus is on the slender state by the Arabian Sea, which has been instrumental in making the host city so cosmopolitan for a couple of millennia. If pre-Independence India had Kerala split into three provinces, this museum has its three floors focusing on historical objects from each of them: Malabar (ground), Kochi (first) and Travancore (second).
The top-most ceiling, perhaps most interestingly of all, houses a traditional theatre hall that is called Koothambalam in contemporay Malayalam language. Typically a temple-allied structure, it occasionally hosts for the museum visitors some of Kerala바카라s folk and classical performing arts. 바카라Even so, we are basically an architectural gallery,바카라 says the museum바카라s owner George J. Thaliath, an art dealer hailing from Varapuzha, 25 km northwest of Kochi and not far from what is of late historically referred to as Muziris. The museum Koothambalam crowning the museum has a massive 18th-century edifice made of wood weighing almost 64 tonnes without any support down its middle. As the description suggests, the whole weight is equitably disbursed through the lintels surrounding the entire hall. 바카라Overall, the venture is a result of no less than three decades,바카라 he informs about the museum that involved a teamwork of 62 skilled craftsmen and eventually featuring 5,000 artefacts, primarily from the area that is now Kerala and largely belong to over the past 1,000 years.
Middle-aged George, with a passion for art history since the 1980s, has his wife Annie alongside children Jacob and Elsa running the ticketed enterprise that is open on all days of the year 바카라except Good Friday바카라. As if keen to hold the next-generation mantle of the museum, young and tall Jacob Thaliyath speaks about the vitality of the Koothambalam conceived by his father바카라on the floor he stands. 바카라It has 253 mural paintings,바카라 he shows the evening-time visitors. The themes are from the grand Hindu epics, the Ramayana and the Mahabharata. 바카라The overall objective is to provide art education to the young generation, who don바카라t know much about their own heritage. We need to preserve our culture바카라and this is one way of doing it,바카라 he speaks with a dash of practised ease.
Virtually keeping in the spirit of Kochi바카라s hybrid culture, the Koothambalam, on a broader view, can also remind the visitor of the interiors of a modest synagogue (like the 550-year-old one in Kochi바카라s suburban Mattancherry), courtesy primarily the chandeliers adding to the charm of the ceiling. Not to be ignored, the room has a grand glass-case display of non-Hindu religious texts of vintage variety. Dotted with a dozen bygone-era statues placed on the foot-high wooden stage, the Koothambalam tastefully bustles with varied masks and large curios besides sketched-and-coloured images of Kerala바카라s arts such as Koodiyattam, Kathakali, Krishnanattam, Nangiarkoothu, Mohiniyattam, Velakali, Kalarippayattu, Kaikottikkali and even mural-style visuals of houseboats and bullock-carts.
The ambience is no less rich down the first and ground floors, where the artefacts are a bit cluttered, though. 바카라We have had only a bit of increase in their numbers over the years,바카라 says Jacob with a smile, about the museum which had one of its highlights on November 11, 2013, when Prince Charles of Wales, the heir-apparent to the British throne, visited the gallery with his wife Camilla Parker Bowles on the occasion of the release of a coffee-table book on its display objects. Adds George, 바카라We like to call it a 바카라Temple of Art바카라.바카라
The 바카라ambalam바카라 word, which comes after Kooth, anyway means shrine바카라and makes the museum special. Else, downstairs the rest of the exhibits are more or less the expected ones throwing light on objects of daily use: vessels, lamps, jewellery, ornament boxes and furniture, besides traditional costumes and paraphernalia of Kerala arts. Plus, yes, direct extracts from feudal-era temples and mansions alongside idols and statues, flaunting the region바카라s architectural and sculptural splendour.
바카라Our belief is that no place of worship in this world sustains itself without believers, and we hope to look to the future for continuing with spreading the knowledge of art with unstinting effort,바카라 says George, 59. The complex also has a couple of curios shops that also sells articles of heritage value (like, for one, Chendamangalam textiles).
Outside, a couple of visitors freeze into a Bharatanatyam posture at the front steps leading to the Kerala-style threshold of the museum. It is sundown time, and a sprawling Kochi wakes up to another spell of night life lit up by a flurry of bright electric bulbs.
