Silent screams come out from it, like in a B-grade horror film. It바카라s a closet Bollywood has always locked up tight. Skeletons hide there, all the putrid secrets of a movie industry that appears to the outside world dressed in shiny tinsel. A murky, parallel world of sleaze and expÂloitation바카라of forced, unwelcome sex바카라exists underneath that razzle-dazzle, invisible to its millions of besotted fans. Out West, Hollywood has been looking at the mirror of late, self-critically바카라conducting an honest audit. The testimonies of women victims바카라often, incredibly, top actresses바카라have curdled blood and newsprint alike over the past year. Many a hero has been felled from his pedestal. Last week it was the venerated Oscar-winning actor Morgan Freeman. Back in India, however, the culture of silence still insulates our very own Harvey Weinsteins. Our moguls, who see and treat their female colleagues as just harem.
It바카라s at the portals to B-town that the 바카라hunt바카라 begins. Newcomers are the prey, and they roll in incessantly as if on a conveyor belt. Bollywood is the ultimate destination for aspiring actors and actresses of all hues. For a multitude of them, it바카라s a proverbial leap into a half-lit world where desperation and insecurities expose them to all kinds of exploitation by the industry바카라s resident predators.
The West has no patent on Weinstein. Bollywood has always been rife with unscrupulous dream merchants바카라some of its biggest names바카라who considered 바카라sex-for-work바카라 a legitimate quid pro quo for giving breaks to freshers. Some were subtle, others quite brazen. They could be anybody, not necessarily a big studio owner like Weinstein: a producer, a director, an actor, a technician, a casting agent, even an underworld don financing a slew of projects, all sorts of people who have made the casting couch the dirtiest phrase in B바카라wood바카라s lexicon.
Who are these faceless desi Weinsteins? Why has nobody come forward to name and shame them the way their counterparts from American cinema have done?
Actress Neetu Chandra thinks it will never happen in Bollywood or elsewhere in India. 바카라Unlike Hollywood, ours is a very small industry in comparison. Only a handful of people dominate it. Whoever speaks up against the casting couch here will only end up putting her own career in jeopardy,바카라 says Neetu, who has spoken about her own experiences with indecent proposals during the early phase of her career (see interview).


Did our actresses fritter away a golden opportunity to bring their predators to book? At a time when #MeToo became an enabling slogan, did they duck and let the winds of change from Hollywood blow over? Even last week, on May 25, when Weinstein was formally charged with rape and sexual abuse by the New York police, and unbelievable stories about his pathological exploits filled the media, there was a chance. Actress Rose McGowan, one of his 80 victims who spoke out, called it 바카라a concrete slap in the face of abusive power바카라.
It바카라s not the desire to see the mighty fall바카라just a regard for fairness and justice바카라that makes you wonder how many of Bombay바카라s stalwarts would have been liable to walk, handcuffed, to a court a la Weinstein. If only the power asymmetry was not so stark, and Indian actresses were not conditioned into believing 바카라this is how it is바카라바카라the sentiment choreographer Saroj Khan expressed recently on TV news. Or are our divas too invested to speak out?
Perhaps there바카라s a change in the air. Priyanka Chopra has been quoted as making a charge implicitly incriminating Bollywood, among others. Speaking in the wake of the Weinstein scandal, Priyanka said: 바카라I don바카라t think there is 바카라a바카라 Weinstein. I don바카라t even think there바카라s 바카라one바카라 Weinstein in Hollywood. There are a lot more, and not just in India, but everywhere else.바카라
Actresses from the new generation바카라Kangana Ranaut, RadÂhika Apte, Usha Jadhav, Richa Chadha and Swara Bhasker바카라are indeed beginning to break the omerta. But no collective spirit has caught on. Many actresses Outlook spoke to refused to speak up. 바카라In a country where even the rape of a minor girl is politicised, what바카라s the point in talking about the casting couch,바카라 asked a young, talented actress, indignantly.
Bollywood바카라s silence has been rather conspicuous compared to fields such as the academia. A list released by Raya Sarkar, a law student at the University of California, carrying the names of alleged sexual predators on Indian campuses hit academic circles like a tornado in the wake of the #MeToo campaign, but even that could not galvanise Bollywood into action against the industry바카라s dirty men with feudal vices (and an equally feudal vice-like grip on things).


Others such as Shatrughan Sinha accepted it was not a new phenomenon. 바카라Sexual favours are demanded and given in both the entertainment world and in politics,바카라 he told reporters after Khan바카라s remarks kicked up a huge row. 바카라It바카라s an old and time-tested way of getting ahead in life.바카라
He바카라s right. The history of the casting couch can be traced back to the black-and-white era when big studios dominated the trade. In the initial decades of Indian cinema, it was not so pervasive because few women opted for what was then seen as a 바카라not-so-respectable바카라 career. As cinema caught the fancies of the masses post-Independence, young girls from distant plaÂces and diverse backgrounds started streaming into Bombay, the city of dreams.
Faced with that surge, filmmakers initiated what was originally a fair method of selection: the screen test. Here, an aspiring actress had to perform a scene or a song before the camera to showcase her histrionic capabilities and also for it to be known how she looked on screen. It helped filmmakers ascertain a candidate바카라s true potential.
But it wasn바카라t long before the innocuous screen test degÂenerated into a handy tool for voyeuristic filmmakers to exploit star-smitten girls. Rare pictures from that era showing scantily-clad girls undergoing this test at a producer바카라s office in the presence of many men, which surfaced on the internet sometime ago, give some idea about how aspiring actresses were humiliated and exploited blatantly those days. Over time, things went from bad to worse.
The stories are legion. For years, a rumour about a legeÂnÂdÂ-ary filmmaker did the rounds: that he would always insist on getting a topless shot of any newcomer who approached him for work. But such was his reputation that even well-ÂÂÂestÂablished actresses were willing to do anything to work with him. He was no lone wolf. Another well-respected producer-Âdirector of his time exploited a popular dancing star for years by keeping her under his contract, which barred her from working outside his banner without his permission. A big actor-filmmaker known for his Casanova image earned notoriety because he would deliberately wear a transparent sarong while meeting struggling actresses and starlets. Even as late as in the 1980s, a popular star would openly joke about deflowering a debutante on the sets of the very film they were working together at the time. It mattered little to him that the young girl was the daughter of a yesteryear actress.


The list of such stars and filmmakers is quite long and their names are an open secret in Bollywood. But nothing happened to besmirch their reputation during their lifetime or beyond. Once in a while, a minor worthy would face charges. The most notable episode involved an actor known for his villain and comic roles, who was caught justifying the casting couch on camera in a sting operation. Another actor from the 1980s had no qualms sexually abusing a young starlet for long before she made it to the top league in the Tenties. No one was ever punished. Why? Lack of evidence. Or the inability of victims to pursue cases for want of support from within the industry. In some cases, some influential industry figure intervened to help strike a deal between the accused and the victim. All this, of course, emboldened the predators.
It was only recently that Telugu actress Sri Reddy dared to name the son of a big producer. She went on a dramatic topless protest, hitting the headlines, but still received no industry support whatsoever. Many, instead, lambasted her for resorting to 바카라a cheap publicity gimmick바카라 (see interview). Similarly, when a young Bollywood actress, a former beauty queen, accused a veteran actor of inappropriate behaviour, the film industry responded with hostility바카라she stopped getting work. The scornful responses offer a hint to why Bollywood바카라s actresses fight shy of, well, the good fight.
Is it always the men who are to be blamed? Do women also use their sexuality to further their career? Sandeep Nath, lyricist and filmmaker, insists nobody can compel a girl to make compromises. 바카라In most cases, I바카라ve observed that allegations come to the fore long after the alleged incidents have taken place,바카라 he says. 바카라Even in Weinstein바카라s case, some actresses who have accused him of exploitation had gone to Cannes and other places along with him,바카라 he says.
Nath, who worked with Madhur Bhandarkar during the making of Page 3 (2005), when the filmmaker was charged with sexual exploitation by a starlet, believes such allegations are often levelled after 바카라something goes awry in the deal struck by the two individuals.바카라
Can women not be formally protected from the casting couch? This is by now a formal industry, after all. And yet, it바카라s a messy, sprawled out 바카라industry바카라. It바카라s not possible to forewarn and counsel all aspiring actresses, nor is it feasible to keep a tab on all fly-by-night operators who lead struggling actresÂses up the garden path. B.N. Tiwari, president, Federation of Western India Cine Employees, says his organisation, the oldest and largest of its kind, provides all support to any member who comes with a complaint. 바카라We cancel the membership if anybody is found guilty of misconduct after an inquiry,바카라 he says. 바카라But such cases mostly involve people at the top. The Âaverage worker remains too preoccupied in making ends meet.바카라


Tiwari admits complaints about the casting couch has only shot up in recent times. 바카라Some people do it for sheer publicity. During my 42 years in the industry, I바카라ve observed that girls who are not talented enough fall in such traps,바카라 he says. 바카라Thankfully, actresses from the new generation are well Âeducated and they know where to draw the line.바카라
Industry observers believe senior actresses should come forward to raise awareness about it. Award-winning film writer Vinod Anupam says well-established actresses such as Shabana Azmi and Vidya Balan, who are active on social media, should create the awareness that only the audience can help build careers바카라and not a godfather who has to be satiated. 바카라Making a Hema Malini or a Madhuri Dixit is in the hands of audiences only,바카라 he says. 바카라They should not let a filmmaker or casting agent exploit their insecurities.바카라
Actresses should also be canny enough, he says. They should realise no genuine filmmaker would risk a project worth crores for a one-night stand with a starlet, he adds. 바카라Girls who fall in the trap of unscrupulous filmmakers don바카라t come prepared to the industry, like say a Deepika Padukone. They want the shortest route to success,바카라 he says.
Rakhee Sandilya, who directed the acclaimed Kalki Koechlin-starrer Ribbon last year, thinks freedom for Bollywood바카라s women is nigh. 바카라When Weinstein was sexually abusing Âwomen, did the thought cross his mind that he would have to pay for it after so many years?바카라 asks Sandilya. 바카라Had he anticipated a movement like #MeToo spearheaded by his victims even in his wildest dreams?바카라 She holds out a warning note: our filmi alpha males and their dads and uncles may want to imaÂgine such a prospect right now when they have the chance, she says. For Bollywood바카라s Weinstein moment may not be far away.
바카라See, the film industry is a part of our society and unless society changes its mindset, we can바카라t expect Bollywood to change overnight. We are way behind the West as far as woman empowerment is concerned. Think about it, we were not even comfortable discussing the security of women until the Nirbhaya case happened in 2012. But things are beginning to change,바카라 she points out.
Sandilya says actresses like Swara Bhasker, Radhika Apte, Kalki Koechlin and others are ushering in the future right now. 바카라They are an enlightened lot and they are freely discussing everything. The gender divide has blurred, which is another positive sign,바카라 she adds.
Sandilya is an optimist. 바카라I see even small changes as a precursor to a future revolution,바카라 she says. 바카라It will take some time but the women in Bollywood are bound to step out and expose their exploiters. Wait for a few years. Their time is up!바카라