Vinod Khanna, perhaps the handsomest of Indian film herÂoes, passed away recently. That weekend, if you had wanted to watch one of his iconic films바카라Achanak, Imtihan or Lekin, you would have drawn a blank on your recently-subscribed NetÂflix account. Amazon Prime, ditto. These films may be too art-house. You try Khanna바카라s more popular films: Khoon Pasina, Hera Pheri, Insaaf, Mere Apne, Mera Gaon Mera Desh, Dayavan. Nothing. There is not a single film of his on Netflix. Amazon Prime, yes, features about a dozen, but doesn바카라t show two of the actor바카라s most popular flicks: Amar Akbar Anthony and Qurbani.
Disappointment exists at the big-Âpicture level as well. The streaming websites have almost nothing from India바카라s history of over 100 years of moviemaking. The country바카라s great auteurs are near-Âabsent. No Ray or Ghatak, no Aravindan or Adoor, no Kasaravalli, no Bharathiraja, no Sai Paranjpye, no Gulzar, not even Mani Ratnam. 바카라Where is the Indian content, or regional content?바카라 asks Sabina Vij, a Punjabi cinema buff. At 50, she took to these platforms after persuasion from her children, but gave up and now makes them download her movies instead. Aditya Prakash, who loves his dose of Tamil cinema, is as disappointed. Netflix has just eight titles in his language!


Mere Apne no site offers any range of Indian films.
So, who are these people who in the dead of night go clip-clip-clappity-clip, the sound of millions 바카라cutting the cord바카라? More and more sites are added every month; the fight of streaming supremacy is fierce. There are already half-a-dozen battling for the 바카라iron throne바카라, sifting through the endless mass of online entertainment addicts to claim their next victim, well, subscriber바카라anyone who will care to pay. 바카라These platforms target a younger audience more ready to experimÂent,바카라 says Soumik Mukherjee, a filmmaker. The demographic sweet spot, he reckons, is in the 16-35 age group. So does the content on these platforms바카라original and otherwise바카라seem to point. 바카라See, Hotstar has tied up with All India Bakchod, AmaÂzon Prime Video with 13 other Indian comedians, and Netflix with Vir Das. These show they are all trying to cater to a certain younger audience,바카라 says film buff Sushant Mishra, who is on all the new platforms. Netflix, to him, is the worst of the lot in its attempt to cater to Indians.
Even then, India is right now the hottest market. What started off with Star India바카라s digital entertainment platform Hotstar, dumping all its television content off the big screen to be 바카라watched at ease바카라, picked up great speed with international biggie Netflix바카라s entry in the Indian market. With its 바카라latest바카라 selection of international television shows and Hollywood movies, available legally without the download and virus hassles, the initial attraction of it was immense, and enough to lure other middle-rung players like Voot and TVF Play into the market. After that spike, the industry saw slow but steady growth.


A Delhiite watches a movie on Netflix
Netflix was the ruler of the pack until Amazon Prime Video came along. LauncÂhed last December; the online retaÂiling giant has become a behemoth in the online entertainment industry as well. IndÂustry trackers say Amazon Prime has, in less than four months, signed up 9.5 million active subscribers, vis-a-vis NetÂflix at 4.2 million. 바카라The change in how people consume entertainment is a driÂving factor,바카라 says Nitesh Kriplani, director and country head at Amazon Prime Video, India. With this has also come a change in the content that people want to view, he adds. 바카라Amazon is not for young audiences alone. We will get rights of Indian films, old and new, if there is sufficient demand.바카라
TV is certainly not dead, not yet. But there is a bigger section opting for stories beyond the everyday soap operas. Take Balaji바카라s latest entry into this industry with AltBalaji. Known for her successful, and endless, saas-bahu dramas on television, the producer바카라s endeavour to tell shorter stories in different genres indicaÂtes changing trends. And the recent binge-watching addiction is a sure propeÂller for these platforms too. What these platforms best cater to is popular entertainment worldwide바카라not Indian, regioÂnal or indÂependent content, but anything that is new or making news globally.


India is now the hottest market in online entertainment
바카라Buzz is in fact a major critÂerion for all these services,바카라 says young Manuj Chawla, an early cable-cord cutter who has subscribed to Netflix, Amazon Prime Video and Hotstar. He gets his latest matches on Hotstar, and the rest on the other two platforms. Agrees Mayank KharÂbanda, a chartered accountant who first came on Hotstar to binge-watch Game of Thrones and recently cut the cord himself: 바카라See, everything that is doing the rounds internationally will be on Netflix, even if it is an independent exclusive like Court.바카라 Hotstar, most belÂieve, is best for live sports viewing and catching up with television off the big screen. It also has the biggest collection of Indian regional films바카라with 419 Telugu titles, 406 Kannada, 216 Bengali, and 875 Malayalam.
Original content too has slowly become a vital differentiator of this business. The service providers, who were earlier looÂkÂing to deliver on the 바카라latest and quickest바카라 formula keeping in mind the hard battle with illegal downloading in India, have realised that the strength lies in originals. 바카라Even half-decÂent prints are easily available for download online, and legÂaÂlity is of little concern for a chunk of the eager, restless Indian population,바카라 says Srishti Gupta, a marketing professional. While many viewers opt to download and watch later at their leisure, some are regular hoarders of content, who find it more appealing to download from any website that offers free content with decent quality. Also, most say downloading uses lesser data vis-vis streaming that requiÂres higher bandwidth.
In such a scenario, entertainment platforms are turning to the production of original content to lure subscribers. Netflix has over 40 originals. Amazon is also into the game, with many originals slated to release soon바카라they say their Indian content will be a big draw even in this category. Hotstar바카라s recent launch of season two of the popular sitcom SaraÂbhai Vs Sarabhai has been a hit. 바카라I began subscribing to Hotstar as soon as I heard of this show,바카라 says Purnima Rajput, whose mother is a fan of recently relÂeÂaÂsed, Alt BalaÂji바카라s production Karle Tu Bhi Mohabbat. Most of these services are not highly priced, but are for a rounded experience. A subscription to multiple platforms can be pricey. Amazon Prime Video has a low entry thresÂhold, with its current introductory offer of Rs 499 for a year; While Voot and TVF Play are still free, Hotstar has a monthly subscription of Rs 199. Alt Balaji바카라s launch offer is a mere Rs 30 a month.
Whatever be your drug of choice, the market has it, most agree. And the 바카라buzz바카라 is palpable. The winding down of the cable market is evident, and most of the content there caters to an older audience. But by plying India바카라s youthful demographics with its hourly 바카라fix바카라, online entÂertainment platforms are growing fast. Many youngsters no longer own a television set; these are the go-to options for their daily dose of entertainment. For others with bigger screens, smart televisions and easy television streaming devÂices such as Chromecast and now Amazon Fire have only enhanced the viewing experience.
All these entertainment platfoÂrms are increasingly looking to get ahead in the race to build a bigger army of subscribers. For that, like in most other businesses like fast food and fashion, they would have to 바카라Indianise바카라 quickly. Hollywood and AmeÂrican TV serÂies may be big, but India has its own thriving film and TV industry, in Hindi as well as all the other Indian languages. If a Netflix or Amazon Prime ignores this vibÂrant and diverse heritage, it could see its subscribers uninÂstalling them soon.