Autobiographies, as a literary genre, have never received the sort of academic and critical attention that they merit. From the 4th century, from profoundly introspective autobiographies like Augustine바카라s Confessions, up to the contemporary, propagandistic memoirs of present political leadership, they have given us exemplars, real-life heroes and heroines, archetypes to admire and imitate.
Novelist Jerry Pinto has been on a tear translating, among other genres, Dalit autobiographies from Marathi into English. Having translated Daya Pawar바카라s masterpiece Baluta in 2015, Pinto has presented us with a translation of Eknath Awad바카라s powerful and inspirational Strike a Blow to Change the World (2018).
Despite Gandhi바카라s claim in The Story of My Experiments with Truth (1927), India actually has had a long history of autobiographical writing, dating at least as far back as Baburnama. The genre of Dalit autobiography could be said to have begun with Ambedkar바카라s unfinished Waiting for a Visa (circa 1937). But in spite of so much diversity바카라social, religious, ideological바카라within Indian autobiography, there seems to have been one consistent idea. That is, the disavowal of violence. Even where the authors may have resorted to violence in their earlier years, they eventually come to reject the strategy in favour of non-violence.
Not so, however, in Awad바카라s Strike a Blow. Not from the very start, with the title itself; not throughout the eventful narrative, or at its end. It is this deeply challenging aspect that raises it to the level of an utterly indispensable autobiography. We could place it among classics like The Autobiography of Malcolm X (1965), which forced us to question the viability of the then dominant ideology of Martin Luther King바카라s non-violence during the blood-soaked civil rights movement.
Although Awad did not know it, Frantz Fanon바카라s The Wretched of the Earth (1961), on the necessity of violence for decolonisation, seems to resonate well with Eknath Awad바카라s own life. According to Fanon, violence righteously exercised by the oppressed has an emancipatory, cathartic power that allows a colonised (read, caste-oppressed) subject to physically and psychologically liberate herself. It allows her to recreate herself with a new, positive identity grounded in equality, ultimately laying the ground for self-respect. And self-respect is a foremost concern articulated throughout Awad바카라s own struggle. That he, like Malcolm X or Frantz Fanon before him, links achieving self-respect to righteous violence is a truly challenging motif of the book.
The work is riddled with episodes of sacrifices towards the goal of self-respect. For example: 바카라When the Dalit begins to discover selfhood and self-respect, she begins to speak out. When she speaks out, there바카라s always a backlash and atrocities happen바카라. For four wounds inflicted, only one may be returned, but even this change is very significant.바카라 Or again: 바카라At every festival or village event, the Mangs would play the haalki and sanai바카라. The Mangs were not paid for their Mangbaajaa바카라. And so, the bonfire of [a] village바카라s musical instruments was set alight. When those beautiful shehnais were burning, I felt bad but it was the self-respect that I could see generated in the Mangs through these flames that was of prime importance.바카라
In a certain sense, Awad바카라s book functions as a guide for achieving self-respect, taking on a universal character. The term itself appears dozens of times, and always within the most poignant of events. For example, in passages describing families suffering from hunger but refusing to eat carrion, in numerous descriptions of the coerced shaving of the heads of institutionalised religious Mang beggars (the potraj), and whenever the question of education arises.
Indeed, Awad even saw his long years of development work and social activism as geared ultimately toward helping Dalits to attain this immaterial virtue: 바카라It is not possible to solve the problem of untouchability by providing the Dalit with food and building a few cement houses for them. It is much more important to awaken their sense of self-respect.바카라
Within Dalit intellectual circles, there is a legitimate apprehension regarding Dalit autobiographies바카라their alleged representation of Dalits as victims lacking agency, the commodification of suffering, their consumption by a 바카라high-caste바카라 audience, and so forth. At the same time, when viewed from the vantage point of art and creative expression, works such as Awad바카라s (or Daya Pawar바카라s) scarcely seem to wear their particularity or locality as a defect. On the contrary, taking autobiography as a universal literary form, rare achievements like Strike a Blow to Change the World are masterworks of the genre.
(Rathore is author of A Philosophy of Autobiography: Body & Text)
