바카라I would buy half-tickets to watÂch a film till the interval. The rest of the story, I바카라d make up in my mind. Surprisingly, I rarely got the endings wrong,바카라 says Bashir Ahmad Dada. Those days, people who couldn바카라t afford to buy a full ticket were allowed to buy half a ticket, recalls the well-known Kashmiri poet and actor. Â
Dada, who hails from south KashÂmir바카라s Anantnag district, says in the 1970s and 1980s, every section of society loved to watch Bollywood and HolÂlyÂwood movies, and thronged theatres in Srinagar and elsewhere in the ValÂley. 바카라I바카라ve seen police resort to lathicharge outside Nishat Talkies in AnaÂnÂtÂnag to maintain order during sale of tickets before a screening.바카라 Â
In 1985, when Lion of the Desert was screened at Srinagar바카라s Regal Cinema, Dada joined the serpentine queues to watch the film about Libya바카라s anti-colonial resistance icon Omar Mukhtar (1862-1931), who spent the last 20 years of his life fighting ItaÂlian occupation of his country. GivÂen their acute sense of history and politÂics, KashmiÂris immediately started comparing Mukhtar with their own legendary leader Sheikh Mohammad Abdullah. Â
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Sheikh바카라s 1975 accord with PM Indira Gandhi, after 22 years of incarceration, was still fresh in their memory. The movie and Mukhtar바카라s life story had a profound impact on the Kashmiri바카라s understanding of sacrifice and compromise. Dada recalls witnessing audÂiÂeÂnces getting emotional during the scene in which a small boy in the crowd picks up the glasses belonging to the elderly guerrilla, after he is hanÂged at the end of the film. 바카라It had a chiÂlling impact on viewers, and made them reevaluate Sheikh바카라s choices, and left them with a bitter sense of betraÂyal. Everyone at the theatre seemed to rise up to pick up Mukhtar바카라s glasses,바카라 he says.
Immediately, people could be seen tearing down Sheikh바카라s posters plasteÂred across Srinagar. Since 1931, Sheikh had been the undisputed mass leader in the Valley, but after Lion of the Desert, that image collapsed. Status quo transforÂmÂed into status quaestionis, never to return to status quo ante.
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Historian Khalid Bashir recalls how Kashmir바카라s first film theatre, built by Bhai Anant Singh Gauri at Lal Chowk (named after Moscow바카라s Red SquÂare) in 1932, reflects Kashmir바카라s history. OriginÂally named Kashmir TalkÂies, it was later changed to Palladium, perhÂaÂps after the famous theatre at St. PetÂersberg. In the 1940s, leftist ideology had a deep impÂaÂct on Kashmir, at least in symbolism and egalitarian aspirations.
Regal was the next theatre to open in the Valley, also at Lal Chowk. Built by a Punjabi-speaking family, their progeny Rohit Bal is a leading fashion designer. It downed its shutters after 1990, and is to be replaced by a shopping mall. In 1955, recalls a businessman, when floÂods hit Srinagar and Regal got submerÂged, patrons would place wooden logs on the steps to reach the tiered gallery. Â
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Bashir recalls that Palladium is at the centre of the history of film viewing in Kashmir. He says it was the oldest movie hall in north India and would screen Hollywood movies before they were released in Delhi. Many old-timers say the 1980s of Srinagar was far ahead of any Indian metro. The Raj had left a deep influence on Srinagar. The area around the Bund바카라a footbriÂdge on Residency Road바카라was its most chic, fashionable place. Most houseboÂats were open only to foreigners, as IndÂÂians couldn바카라t afford them. Shops at Lambert Lane were where you would go to get noticed. Â
Theatres running Hollywood films would also translate their titles into vernacular, although the transition was often clumsy. The Three MusketeÂers, for instance, became Teen HaramÂzade in Urdu.
Across Srinagar, dusty old photo studios still prominently display frames with Bollywood actors to draw tourists. Senior photojournalist Nisar AhmÂad says till the 1980s, photograpÂhers never missed an opportunity to have their pictures taken with BollyÂwood stars during the innumerable shoots in the Valley. 바카라I myself had snaÂps taken with Rishi Kapoor,바카라 he reminisces.
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바카라Dilip Kumar was the craze. I have seen people standing up in attÂeÂntion when Dilip Kumar first appeaÂred on scrÂeen. In those days, I바카라d bunk clasÂses and even evening prayers to go to the movies,바카라 says Abdul Hamid, a leading Valley businessman. He recalls people who couldn바카라t afford a ticket or get hold of one, would wait at the theatre gates to hear the story from those coming out after the show바카라and then let their imagination take over. 바카라Black marÂÂketers were the kings. You could identify them by their swagger,바카라 he adds. Â
When Khana-e-Khuda was released in 1968, many 바카라ticket blackers바카라 would insist upon buyers to remove their shoes before they entered the hall. The audience, too, obliged. Years later, in the 1980s, when Bible was screened at Shiraz, Muslim clerics insisted they should watch it first and be allowed to clear it for public viewing. The administration obliged. Surprisingly, the film got cleared without any cuts.
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In the turbulent autumn of 1947, PalÂladium became the headquarters of the Kashmiri nationalist party led by SheÂikh Abdullah. 바카라It was a radical, secular movement, with closer links to India바카라s Congress party than with Pakistan바카라s Muslim League,바카라 writes author AndÂrew Whitehead. When in November 1948, PM Jawaharlal Nehru visited Srinagar and addressed a huge crowd alongside Sheikh Abdullah, Palladium provided the backdrop. It was also here that Nehru promised plebiscite to the people of Jammu and Kashmir, and described Sheikh as his alter ego, reading out a Persian couplet:
Mun tu shudam tu mun shudi, mun tun shudam tu jaan shudi
Taakas na guyad baad azeen, mun deegaram tu deegari
(I have become you and you me, I am the body you its soul;
No one can say hereafter, that you are someone and I someone else)
The Nehru-Sheikh bonhomie ended six years later when, on August 9, 1953, Sheikh was arrested from Gulmarg in the Kashmir conspiracy case on the direction of Nehru.
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Till 1964, all three movie theaters in Kashmir were located in Srinagar바카라s Lal Chowk. Then Shiraz came up at KhanÂyar, in the heart of the old city. Bashir says it opened with the Raj Kapoor-Vijayanthimala-Rajendra Kumar starrer Sangam, and drew packed crowds.
Former bureaucrat-turned-politician Naeem Akhtar says he was the last excÂise officer in 1989 who collected entertainment tax, before theatres downed shutters with the onset of the insurgeÂnÂcy in 1990. 바카라The system collapsed in 1990, and with it, theatres wound up.바카라
In September 1989, a rumour spread in the old city that people are disappeÂaring. It happened right after the killing of National Conference party worÂker M. Yousuf Halwai, and the shoÂotout outside the residence of DIG PolÂice A.M. Wattali, in which, militant Ajaz Ahmed Dar was killed. Akhtar says administration and police were clueless about the rumblings in the Valley, and presumed these incidents as usual law-and-order problems. TheÂre was severe pressure on the police to make arrests. 바카라The police parked two buses outside Shiraz cinema, caught hold of movie-goers emerging from the theatre and asked them to board the buses, with the promise they would be dropped at their destinations. Instead, they were taken to Khanyar police station and presented as suspects,바카라 he adds. Â
The ruins of Palladium are an appropriate motif for today바카라s times. Like othÂer theatres in Srinagar바카라Neelam, Firdous, Shiraz바카라Palladium is occupied by the CRPF, menacing concertina wires marking its boundaries. HowÂever, the CRPF has painted its 바카라bunker바카라 red, perhaps a nod to Lal Chowk.Â
(This appeared in the print edition as "Newsreel From The Valley In Eastmancolor")
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By Naseer Ganai in Srinagar