Standing in queue at the Sundance Film Festival 2025 for Justin Lin바카라s Last Days 바카라 a fictional adaptation on the life of Christian missionary Jon Allen Chau (based on Alex Perry바카라s stellar profile for Outside Magazine) 바카라 I was utterly lost. Thoroughly unprepared for the winds in a ski-resort town, where temperatures drop to minus 15 degrees Celsius, I was surrounded by people who seemed to know each other or were well-versed in the small talk around their favourite NBA or NFL teams. Jet-lagged and watching my third film of the day, I braced myself for Lin바카라s film. And then I felt this surge of happiness after seeing a familiar name on screen: actor Radhika Apte was a principal character here. It explained to me why South Asians get excited to meet each other in a foreign land.
If you바카라re even slightly invested in Hindi cinema, chances are you바카라ve rooted for Apte at some point. Breaking out into the mainstream in Ram Gopal Verma바카라s bilingual, Rakhta Charitra (2010) 바카라 long before Telugu cinema began dictating the Hindi mainstream aesthetic 바카라 Apte has seen her fair share of adulation and ridicule in the last 15 years. Doggedly swimming against the tide in a deeply patriarchal system, fishing for roles in an industry with limited imagination, the 39-year-old actor concedes she has done multiple projects that go against her value system.


Living in England for the last few years with husband and musician Benedict Taylor and a newborn daughter, Apte bemoans how exhausted she바카라s been with social media recently. In a time when most of her colleagues are media-trained to be as diplomatic as possible [resulting in homogenised, comatose interviews], Apte took a frank, hard look at her career choices, the obstacles she's had to overcome, and her hard-earned wins during this conversation with Outlook바카라s Tatsam Mukherjee.
She spoke about the 바카라powerlessness바카라 most actors face in a medium that comes with so many variables, the sadness with which she had to give up a role in Saim Sadiq바카라s Joyland due to the tense geo-political environment, how writing & directing has sparked her interest for the next phase of her career, and the allowances she바카라s willing to make for films offered to her by the West.
Edited excerpts:
I was surprised to spot you in a short film by Ashish Avikunthak. How did that come about, what do you remember about shooting it?
I was in Kolkata to prepare for Antaheen (2009), and I can바카라t remember clearly if it was a journalist or a filmmaker I바카라d met for coffee. I told them I didn바카라t know anyone in Kolkata 바카라 and they introduced me to Ashish Avikunthak. Ashish is an anthropologist, and the acquaintance told me he might be the right person to show me around the city. I was up for it, and I remember walking across Calcutta. We walked for days, he took me to many places and told me about its history. We became really good friends at the time, and he was visiting Pune 바카라 and he was working on a film. He asked me if I would appear in it, and I was obviously up for it! We shot on someone바카라s terrace, I think, for an evening. That was it! I think I haven바카라t spoken to him in years.
I saw your Oxford Union interview -- where you바카라ve spoken about starting to write your own film four years ago. What triggered it?
I didn바카라t have any plans to write+direct, I바카라ve mostly wanted to act! But I think I was frustrated with the kind of work that was being offered to me. I wanted to explore subjects that interested me. So, I took the plunge to write a short film and I enjoyed it so much that I decided it was something I wanted to do. I really enjoyed the writing process 바카라 I바카라m still learning, and I might be better than I was four years ago, but I바카라m good with characters. Since I바카라ve spent so much time on my own characters. It바카라s the plot and the writing in general that I need to become better at. I directed the short, and it was so fulfilling that I바카라m now itching to direct again.


Did the powerlessness of watching a film you're in fall apart have anything to do?
For anyone with an acting career, you are powerless for the most part. You바카라re choosing from what you바카라ve been offered. For the longest time, I바카라ve done work 바카라 some of which I바카라ve enjoyed, and I바카라m quite proud of 바카라 and the rest of the time it바카라s like going to the office. That바카라s a part of any profession, I guess, you can바카라t like 100% of what you바카라re doing.
I quite like the feeling of being empowered with writing and directing. You obviously need to find someone to bankroll your initiative, but sometimes you find a like-minded producer and the whole thing becomes that much more enjoyable. I바카라m fortunate to have found such a producer for my next undertaking.
Maybe it's a slightly broad question -- but what is it like to be a working actress in Hindi cinema right now?
When was the last time I did something in Hindi cinema? I think it was Vasan바카라s film [Monica, O My Darling!]. I really had a ball. It바카라s sad that not enough people offer me comedy, I think I really enjoy doing it. Sister Midnight is a comedy. I think I haven바카라t done a lot of work in the last year or so. The problem is I바카라m not a big fan of violence and gore, just for the heck of it! I바카라m a bit bored by it 바카라 which doesn바카라t necessarily mean I won바카라t do it. I don바카라t think I can make a blanket statement. But I바카라m bored of supporting a male actor and having a tiny part to play in it. But then it contextually changes, right? For eg: my role in Monica wasn바카라t big, but it was so much fun!
If it바카라s a genuinely meaty part, it usually goes to someone more commercially successful. It바카라s about the numbers then, your box office or your social media. And I바카라m so done with social media! I used to be very active, because it played an integral part in our careers. But if I had to take one photograph, my entire day would go to waste. And there바카라s always the additional worry about having to look a certain way. I literally never wear make-up in real life, I couldn바카라t be bothered. So, I can바카라t do it anymore.


I don바카라t think enough people are frank enough to admit how lucrative it is바카라
It바카라s why people do it at all. I used to get paid so much money! And I still would like to get paid that money, but it바카라s just a lot of effort. When I바카라m working in Bombay, I바카라ve found it is easier to do. You바카라re on set, and you have time to kill and you바카라re fooling around. You바카라re already in hair and make-up, and I바카라m not very good at taking pictures about my personal life. I forget it most of the time! When I바카라m walking on the road and I see people constantly taking selfies, I find it disturbing. I바카라m not one of those.
Was there a period of vanity which began to erode?
I바카라m sure I바카라m as vain as any other person, but I바카라ve never really enjoyed doing the whole social media routine. I바카라ve always hated it. The thing is 바카라 I really tried to play the game for eight years, I did it sincerely. I told myself, I바카라ll work hard and get the commercial viability so I can afford to do the smaller films. But the truth is, it doesn바카라t work that way. Even after you do get the commercial viability after a project, you have to keep it going and it바카라s like a non-stop game. So I just drew a line and said enough! I won바카라t do this anymore.
It probably means the end of my career, because I've been offered less and less work in the last few years. They think that because I don바카라t live in India, I바카라ve given up acting. Or now that I have a child, it might be tricky to accommodate me. If this is the end, then so be it. I think I바카라ve realised that I can바카라t be one of those 24*7 celebrities. I try to do as much as I can, obviously.


You said how you're okay with the acting career not working out. It's not something one usually hears from a working actor.
It바카라s just exhausting, where your commercial value has to be at a certain point. It바카라s hard. A lot of the work we do is not very [creatively] stimulating. Neither for your brain, nor for your craft. Can you imagine going through a lifetime of doing such work and then reflecting on it, when you바카라re old? I mostly went to the set hoping pack-up would happen soon. That바카라s just a miserable way of going through life. And then claiming how you바카라re doing something you love, but is it really true?
The truth is I love performing, and I바카라d really enjoy parts that are stimulating. They happen rarely. I바카라m okay with doing one project a year, but let바카라s just say that it바카라s made me really unhappy to be 바카라playing the game바카라. To keep maintaining status on social media, to attend all the parties, and basically going around telling people how 바카라cool바카라 their next project sounds, and if they have a part for me in it. But the truth is it바카라s not cool, and I don바카라t want to kiss ass anymore.
I have this theory: the better an actor, the sillier they look in a bad film.
(laughs) I feel so ashamed I can바카라t even tell you. It (the narration) changes, haan! Like there have been so many times where I was pitched this idea, and I was quite excited by it. They sent me the script, and I had so many issues with it 바카라 so I sent them my notes. I was assured that they were changing it. The script was rewritten, and I got it barely like a few weeks before we were supposed to go on the floors. I said: 바카라What have you done?바카라 I told them that I don바카라t agree with the ending, and they would have to change it. They reluctantly changed it, but the script was already so out of sorts. Me stepping out of that project means all the work of the team up until that point, and the tiny bit of finance that they바카라ve been able to raise, it all goes down if I leave.
There was another film, I eventually fell out with them, where they told me that they were rewriting. I바카라m on the flight, and they tell me they바카라re still rewriting. When I got there, they hadn바카라t changed a thing. So, now do I leave? Or do I suck it up?
Things change on the edit table, you might think you바카라ve shot for something and then you watch it and it바카라s something else. So, I think when people come up to me and ask 바카라How could you do that?바카라 바카라 I find that really inappropriate. Firstly, I didn바카라t do it. And just look at the people you바카라ve cast? It바카라s a tricky situation.
That바카라s why I brought up the word 바카라powerlessness바카라. You might enter a project with the best of intentions, but there are just so many variables바카라
I바카라ll tell you something 바카라 it바카라s never happened where I thought something was not going to land, and it landed. I know exactly what바카라s going to happen when I바카라ve shot it, I think I have a good sense of that. I know when I have to disappear. I know when I바카라ve gone against my own value system to just do something. But I was promised something else, and no one knows that. They only see what바카라s in front of them.
I guess you바카라re right that I should probably have stood up for myself and said 바카라I바카라m leaving, I don바카라t give a shit!바카라 But it바카라s really hard, yaar!


I바카라ve often wondered what the actor is going through, when they know it바카라s not working바카라
Sometimes, you just have to pay your bills. I바카라ve been writing for four years, I have a child, and I think I have a very moderate lifestyle. I don바카라t own a ridiculously expensive car, and I don바카라t even fly business-class, because I just find it absurd the amount of money for an 8-hr journey. I바카라d much rather hold on that money and do literally anything else with it. If someone is flying me down for work, sure, I could do business. But I바카라m also not someone who gets mobbed. It바카라s not necessary.
So, despite my moderate lifestyle, you have to make a living. Sometimes you just want to write for two years without thinking about money, there are lots of reasons why one takes work. Having said that I바카라ve enjoyed the last decade 바카라 I don바카라t want to sound like I바카라m complaining about it. Even though there are many projects I don바카라t like, I바카라m glad I did it. I바카라m glad I dressed up ridiculously and went for those parties, or put up pictures on my social media. I have no regrets when I look back. I바카라ve met some incredible people along the way, every film that I바카라ve done 바카라 whether I바카라ve enjoyed it or not 바카라 I바카라ve met some good people on the sets.
Filmmaker Saim Sadiq told me about your involvement for the role of Mumtaz (off the record) when I interviewed him for Joyland. But now that you've mentioned it in the Oxford Union interview -- I think I can ask you about it.
It was really sad, but the actor who ended up replacing me (Rasti Farooq) is so brilliant, I think it ended up happening for the best. I had so much sadness about not doing it because of our political environment. But then I saw it and I think some of these things are destined, no? She was just so good in the film. I was obviously sad about not being able to do the film, but you know when you see something great, and you don바카라t wish to change a thing about it. I felt that after watching Joyland.
Do you really approach your projects in the West any differently than an Indian or an independent Indian film?
I haven바카라t been working for that long in the West, but I do feel like it바카라s going back a few years for me. I still haven바카라t built up my portfolio as an actor, you know? Sister Midnight is helping, and I hope Last Days does something as well. I was nominated for the BIFA (British Independent Film Awards) 바카라 which is a big deal here. And it바카라s led to me getting a couple of interesting offers, they바카라re small films. But the roles seem interesting.
Is your benchmark for taking up a part the same in the West, as it might be back home?
It바카라s not. If it바카라s a smaller part in the West, I might agree to do it. One, because I have to build my portfolio from the ground up. Nobody knows who I am. And over here, there are no big/small roles. Actors do all kinds of things. Back in India, it바카라s such a thing 바카라 where if you바카라ve become a 바카라lead actor바카라, you completely freeze out any supporting parts. Over here, you바카라ll find even the most well-established actors doing tiny parts, it doesn바카라t have a larger consequence on the work you get offered otherwise.


How did Last Days come to you? Had you read Alex Perry바카라s profile on Jon Allen Chau before taking on the film? What intrigued you about the subject?
Last Days came to me through my US agents. I couldn바카라t audition for the role because I was doing Sister Midnight around that time. They set up a meeting between me and Justin Lin (the director), and can I say that he바카라s just the kindest director I바카라ve ever had the chance to work with. It바카라s a big statement, but it바카라s also true. He바카라s the most compassionate and kind man I바카라ve ever worked with. It was a fantastic meeting with him. I didn바카라t know about Jon Allen Chau, and I hadn바카라t read the profile 바카라 but I just knew I wanted to work with this man. Then I read all about it, and thought it was fascinating.
Breaking out in a bilingual (Rakhta Charitra), has it been painful to see Hindi films mimic Rajamouli, KGF, Kantara and Pushpa? Do you think Hindi cinema has regressed in the last few years?
Any industry goes through cycles where you바카라re focusing on action films or remakes, it goes up and down. Or at least that바카라s what I바카라ve gauged from the few decades of various film industries. But I definitely also think that compared to 2015-16, where I was getting offered a lot more interesting stuff and more brave projects were being made. I think we바카라re definitely struggling with that right now, where people are unable to find finances. I don바카라t think I have all the information to make a generalised statement or the data, but I can tell you from my personal experience where a lot of the ambitious stuff that I바카라m reading doesn바카라t have finance attached to it.
Remakes, no offence to anyone, but I just don바카라t watch those films. I바카라m just not the audience for it, I guess.
Is there anything you might have liked to change about the trajectory of your career? Do you think you got your due?
I wonder if it would be nice to study drama in England, but then it바카라s could바카라ve/should바카라ve. But then again, I have no problems with my career trajectory, whether it took me to where I wanted to go or not. I don바카라t think I got what I wanted in my career 바카라 because if you ask me what I want, I want to do work that stimulates me constantly, and it바카라s something I want to watch as a member of the audience. I바카라d like to keep learning, and be challenged. Unfortunately, it바카라s not what is happening at the moment. But I don바카라t regret anything, I바카라m very grateful. I think I can still study drama here, it바카라s not too late.
*Last Days premiered at the Sundance film festival 2025